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Pas de shoe

The Rosin Box on Sansom Street, now run by the second generation, has partnered area ballerinas for 30 years.

By Phyllis Stein-Novack
For The Inquirer

Natalie Dardaris browses in the shop. "It's more than getting the perfect fit," Jennifer Jenkins says. ". . . We give good advice."

PETER TOBIA / Inquirer Staff Photographer

Natalie Dardaris browses in the shop. "It's more than getting the perfect fit," Jennifer Jenkins says. ". . . We give good advice."

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Thirty-some years ago, Dave Jenkins was spending lots of time on the road as an ice cream-company sales representative, rather than at home in Wynnewood with his wife, Angela, and their children.

One day, Angela suggested that it was time for a change: Dave should trade in the ice pops and Eskimo Pies for leotards and pointe shoes. After all, their teenagers, Leonard and Jennifer, were taking ballet lessons and performing with Philadelphia's Ballet des Jeunes, so the idea of a shop catering to dancers seemed a natural fit.

In March 1977, the suggestion became the Rosin Box, and before long, the Rosin Box became a fixture in the city's dance life, the go-to place for toe shoes. Located at 2050 Sansom St. since 1989, it is celebrating its 30th anniversary this spring.

Len and Jennifer Jenkins, proprietors and partners in their now-retired parents' venture, say the store was a natural outgrowth of the family's passion for dance.

"My mom loved to do the makeup for our performances when we danced with Ballet des Jeunes," Len said of Angela, now 72. And Jennifer noted that Dave, now 75, "was active on nonprofit boards," including that of the Philadelphia Dance Alliance.

Nowadays, with online shopping commonplace, the risky business of buying toe shoes (a bad fit can result in pain or even serious injury) still demands personal attention and a deep knowledge of manufacturers, materials, and gauging individual fit - all of which is the Rosin Box's stock in trade.

"I know why people keep coming back," said Jennifer Jenkins, 44, who danced professionally for years and now lives in Drexel Hill with her husband, Bob Ertel; son, Bob, 14, and daughter, Jenna, 11. "We know how to fit the shoes.

"But it's more than getting the perfect fit," she said. "Our shop is a social environment - we give good advice. I know firsthand that the world of ballet is very competitive. I understand the heartbreak a dancer feels at a young age."

Because of that, the cozy store - with its iconic pair of faded red toe shoes hanging in the window - often draws visitors who return as much for the conversation as for the selection.

"People lose touch, but after 10 or 20 years they come back for a visit," said Len Jenkins, 46. "Some people have moved, or [they] went away to school, but they want to catch up."

That, Philadelphia dance-world denizens say, is also part of the family business.

"They are the nurturers, the ambassadors, the supporters, fans and promoters of ballet in this city on every level," said Lisa Collins Vidnovic, who came to Philadelphia in 1979 after training with American Ballet Theater and performing in Chicago. She danced with Pennsylvania Ballet for 10 years before opening Metropolitan Ballet Academy in Jenkintown in the mid-1990s.

"Dave and Angela were like family," she said. "When I first came to their shop, I was an apprentice with Pennsylvania Ballet and was poor like a mouse. But they always helped me and encouraged me.

"I retired from dancing in 1989 to have my first child, but I wanted to open a school. The Jenkins encouraged me to do so, and they take care of my students like they took care of me."

Len "lives over the shop" with his wife, Kimberly, their three boys - Lee, 15, Joshua 13, and Luke, 7 - and two cats, Scooter and Skeeter, who often run downstairs to greet customers. Three generations of Jenkinses now are involved, with young Lee sometimes pitching in to straighten the merchandise on Saturdays.

The Rosin Box sells everything for all types of dancers - leotards, tights, leg warmers, all types of footwear (the popularity of Dancing With the Stars has led to an increase in requests for ballroom dancing shoes). But the focus has always been on ballet, and on toe shoes.

According to statistics kept by Pennsylvania Ballet, each of the company's 20 ballerinas goes through 50 to 110 pairs of pointe shoes per season, at a cost of $70 a pair. In 1991, when Pennsylvania Ballet was in serious financial trouble and nearly went under, the Jenkinses donated pointe shoes to its dancers - and also sold "Save the Ballet" T-shirts at the Rosin Box.

"They are synonymous with dance in the Philadelphia area," said Jon Martin, who should know: He has been the "shoe man" at Pennsylvania Ballet since 1979, keeping track of thousands and thousands of pairs of pointe shoes.

"The Jenkins are dear friends," he said. "They have always been there. They're like family."

Full Link: http://www.philly.com/philly/entertainment/20070417_Pas_de_shoe.html
 


Showcased on a mantle inside The Rosin Box is an original pair of Capezio pointe shoes circa 1889 that Jenkins proudly displays as the store's centerpiece. The shoes serve as a subtle reminder of Jenkin's dedication to his craft and exemplify The Rosin Box's long-lasting reputation as "the" place for pointe shoes and pointe shoe fitting.

Tucked in amongst a row of older homes that have been converted to shops and restaurants in downtown Philadelphia's historic district, sits a small dancewear store, with a big reputation. Founded in 1977, The Rosin Box has become synonymous with pointe shoes and pointe shoe fitting in the Philadelphia area and with dancers from all over the world. From a humble beginning as a hobby for owner Len Jenkins' mother, the business has grown if not much in physical size in importance to a myriad of dancers and dance organizations in the region.

"We started out in a tiny place farther up Sansom Street in which our entire inventory could fit into something the size of that cabinet," said Jenkins, pointing to a cabinet about the size of a refrigerator. "Business was slow at first and we had few customers. Things started to change for us about the time the motion picture "The Turning Point" came out. Suddenly everybody wanted to take ballet. Then in the early 1980's other films like "All That Jazz" and "Flashdance" made dancing cool and continued our boom in sales."

Over the years Jenkins said The Rosin Box carved its niche in the marketplace because of its dedication to the proper fitting of pointe shoes. "Dancers came to us because they were tired of getting shoes that didn't fit," said Jenkins.

The The Rosin Box's heavy concentration on footwear is also due in part to a problem facing many small dance retailers in that they cannot compete with large mail order and Internet retailers on price when it comes to dance apparel. "If you wear a "small" in a particular brand tights, that fit is going to hold true every time and wherever you buy them," said Jenkins. "Finding the proper fit in a pointe shoe is a dynamic process remains an ongoing process for a dancer."

A former dancer himself, Jenkins has been fitting pointe shoes for over twenty-five years and has conducted seminars on the craft. "I tell dancers I learn more from them than they do from me when it comes to shoe fitting," said Jenkins.

From years of feedback Jenkins says that he has developed "a process of assessment" in fitting pointe shoes that he likens to his work as a paramedic. According to Jenkins, the keys to finding the right shoes for a dancer are knowing the individual characteristics and construction of the shoe brands he carries, examining the shape of the dancers foot, experience in gauging a dancer's reaction or lack of reaction to the fitting process, and asking a lot of questions.

"We really look out for the good of the dancer whether they like it or not." said Jenkins. "I can't in all good conscience send somebody home with something that will not work or will be damaging to them."

Jenkins says for veteran dancers looking to be fitted, he will ask what shoe they are wearing now and what their likes and dislikes of the shoe are. Then ask about what they put in the shoe besides their foot. "Toe pads will change the shape and size of a person's foot and that needs to be taken into account when choosing a shoe," said Jenkins.

A first fitting of a young dancer according to Jenkins can take anywhere from ten minutes to an hour. "I put younger dancers in something light, because they will usually outgrow the shoes before they will wear them out," said Jenkins. "For any beginner you really want a shoe that is more flexible so that they can start working their feet and developing muscle memory and strength."

Jenkins notes that ninety-nine percent of the pointe shoes on the market today are made pretty much the same way they have been made for the last hundred years. "Most shoes are made of paste and the shoe is meant to mold to the dancer's foot through body heat this reduces inside movement and gives the dancer an even break-in," said Jenkins. "The exception is the Gaynor Minden shoe which has really revolutionized pointe shoe construction, using polymers and foam for added strength and comfort."

In addition to carrying most brands of pointe shoes, The Rosin Box also stocks a number of other styles of dance footwear including jazz shoes, tap shoes, dance sneakers, ballroom shoes, ballet slippers, and shoes for Flamenco and Swing. The store also stocks core dance wear items such as basic leotards and tights along with some designer leotard brands such as BKWear.

Jenkins says most of The Rosin Box`s new business comes via word of mouth and that this year he is seeing an increase in the number of ballroom dancers looking for shoes as well as those interested in jazz sneakers.

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The Rosin Box
2050 Sansom Street
Philadelphia, PA 19103

Phone: 215-569-9134
Fax: 215-569-2651

Hours: Mon-Fri 10:00 a.m. - 6:00 p.m.
      Sat: 10:00 a.m. - 5:00 p.m.

Summer Sat Hours: July 4th through Labor Day 10:00 a.m. - 4:00 p.m.




Last modified: March 03 2009.